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Matt Molnar
2012-02-07, 01:44 AM
Nikon unveiled a new 36.3 megapixel DSLR tonight, the D800. It'll start at $2999.95, sliding it between Canon's 5D Mk II and 1D Mk IV.

http://nikon.com/news/2012/img/pic_120207_1.png


EXPECTATIONS SURPASSED: THE 36.3-MEGAPIXEL NIKON D800 IS THE MULTIMEDIA HD-SLR THAT SHATTERS CONVENTIONAL RESOLUTION BARRIERS FOR MAXIMUM FIDELITY

The New Nikon D800 Offers Unrivaled Resolution and Features Designed for a Variety of Demanding Professional Photographic and Multimedia Disciplines, Videographers and Filmmakers

MELVILLE, N.Y. (Feb 6, 2012) – Today, imaging leader Nikon Inc. announced the highly anticipated D800 HD-SLR, engineered to provide extreme resolution, astounding image quality and valuable video features optimized for professional still and multimedia photographers and videographers. A camera with an unmatched balance of accuracy, functionality and image quality, the Nikon D800 realizes innovations such as a high resolution 36.3-megapixel FX-format CMOS sensor, a 91,000-pixel RGB Matrix Metering System, Advanced Scene Recognition System and many other intuitive features designed to create the preeminent device for the most demanding photo and video applications.

Whether shooting high fashion, weddings or multimedia content, Nikon's highest resolution sensor to date, a groundbreaking new 36.3-megapixel (7360 x 4912 resolution) FX-format CMOS sensor, affords flexibility and astonishing image quality to satisfy a myriad of client requests. The Nikon D800 incorporates the latest 91,000-pixel 3D Color Matrix Metering III and the Advanced Scene Recognition System, coupled with an improved 51-point AF system for images with amazing sharpness, color and clarity. With its compact, lightweight D-SLR form factor and extensive video feature set, the D800 allows photographers to transition to multimedia to create an immersive story. Professional videographers will appreciate practical features that go beyond NIKKOR lens compatibility and Full HD 1080p video, such as full manual control, uncompressed HDMI output, and incredible low-light video capability. With this innovative combination of features, the D800 celebrates resourcefulness and a dedication to the flawless execution of an epic creative vision. All of this is driven by Nikon's latest EXPEED 3™ image processing engine, providing the necessary processing power to fuel amazing images with faithful color, a wide dynamic range and extreme resolution.

"Whatever the project, visionaries need a tool that is going to help them stay on-time and on-task. The Nikon D800 re-imagines what is possible from this level of D-SLR, to address the needs of an emerging and ever changing market; this is the camera that is going to bridge the gap for the most demanding imaging professionals, and provide never before seen levels of SLR image and video quality," said Bo Kajiwara, director of marketing, Nikon Inc. "The D800 is the right tool for today's creative image makers, affording photographers, filmmakers and videographers a versatile option for capturing the ultimate in still image quality or full HD content, with maximum control."

Extreme Image Quality

The new Nikon developed 36.3-megapixel FX-format (35.9 x 24mm) CMOS sensor realizes Nikon's highest resolution yet, and is ideal for demanding applications such as weddings, studio portraiture and landscape, where there is no compromise to exceptional high fidelity and dynamic range. Nikon's first priority is amazing image quality above all else, and resolution of this magnitude affords photographers the ability to portray even the smallest details, such as a strand of hair, with stunning sharpness or crop liberally with confidence. Photographers also shoot with the assurance of NIKKOR lens compatibility, because only a manufacturer with decades of optical excellence can provide the glass to resolve this kind of extreme resolution.

For shooting with minimal noise in a variety of lighting conditions, the D800 features a wide native ISO range of 100-6400, expandable to 50 (Lo-1)-25,600 (Hi-2). Nikon engineers have created innovative ways to manipulate light transmission to the sensor's photodiodes, giving users the ability to shoot with confidence in challenging lighting conditions. Internal sensor design, an enhanced optical low pass filter (OLPF) and 14 bit A/D conversion with a high signal to noise ratio all contribute to a sensor capable of excellent low light ability despite the extreme resolution. Every aspect of this new FX-format sensor is engineered to deliver amazing low noise images through the ISO range and help create astounding tonal gradation and true colors, whether shooting JPEG or RAW. Images are further routed through a 16-bit image processing pipeline, for maximum performance. To further enhance versatility, users are also able to shoot in additional modes and aspect ratios such as 5:4 to easily frame for printed portraits or a 1.2X crop for a slight telephoto edge. For even more versatility, photographers can also take advantage of Nikon DX-format lenses for more lens options and enhanced focal range (1.5X), while still retaining sharpness and details at a high 15.4-megapixel (4800x3200) resolution.

Contributing to the camera's rapid performance and amazing image quality is Nikon's new EXPEED 3 image processing engine that helps professionals create images and HD video with amazing resolution, color and dynamic range. From image processing to transfer, the new engine is capable of processing massive amounts of data, exacting optimal color, rich tonality and minimized noise throughout the frame. Despite the immense data, the new EXPEED 3 also contributes to energy efficiency, affording the ability to shoot longer.

The D800 also features the Advanced Scene Recognition System with the 91,000-pixel 3D Color Matrix Meter III to provide unrivaled metering in even the most challenging of lighting conditions. At the system's core is a newly designed RGB sensor that meticulously analyzes each scene, recognizes factors such as color and brightness with unprecedented precision and then compares all the data using Nikon's exclusive 30,000 image database. Additionally, this new sensor now has the ability to detect human faces with startling accuracy, even when shooting through the optical viewfinder. This unique feature is coupled with detailed scene analysis for more accurate autofocus (AF), Auto exposure (AE), i-TTL flash control and even enhanced subject tracking. The Color Matrix Meter also emphasizes priority on exposure of the detected faces, allowing for correct exposure even when the subject is backlit. Even in the most difficult exposures the D800 excels, such as maintaining brightness on a bride's face while retaining the dynamic range to accentuate the intricate details of a wedding dress beside a black tuxedo.

Advanced new automatic systems make it even easier to capture amazing images. The camera features a new enhanced auto white balance system that more accurately recognizes both natural and artificial light sources, and also gives the user the option to retain the warmth of ambient lighting. Users can expand dynamic range with in-camera High Dynamic Range (HDR) image capture, and enjoy the benefits of Nikon's Active D-lighting for balanced exposure. Another new feature is direct access to Nikon's Picture Control presets via a dedicated button on the back of the body to tweak photo and video parameters on the fly, such as sharpness, hue and saturation.

True Cinematic Experience

The Nikon D800 has a compact and lightweight form factor that's preferable for a production environment, yet is packed with practical and functional features. The D800 is ideal whether the user is a filmmaker on location or in the studio or a documentarian in the field who requires portability and the NIKKOR lens versatility and depth of field that only a HD-SLR can offer. Filmmakers have the choice of various resolutions and frame rates, including Full HD 1080 at 30/24p and HD 720 at 60/30p. By utilizing the B-Frame data compression method, users can record H.264/MPEG-4 AVC format video with unmatched integrity for up to 29:59 minutes per clip (normal quality). This format produces higher quality video data without increasing file size for a more efficient workflow. The optimized CMOS sensor reads image data at astoundingly fast rates, which results in less instances of rolling shutter distortion. The sensor also enables incredible low-light video capability with minimal noise, letting filmmakers capture footage where previously impossible or expensive and complex lighting would otherwise be necessary. Users are also able to have full manual control of exposure, and can also adjust the camera's power aperture setting in live view for an accurate representation of the depth of field in a scene. Whether shooting for depth of field in FX-format mode, or looking for the extra 1.5X telephoto benefits of DX mode, the high resolution sensor of the D800 allows videographers to retain full 1080p HD resolution no matter which mode they choose to best suit the scene. Users are also able to easily compose and check critical HD focus through the 921,000-dot, 3.2-inch LCD monitor with reinforced glass, automatic monitor brightness control, and wide viewing angle.

For professional and broadcast applications that call for outboard digital recorders or external monitors, users can stream an uncompressed full HD signal directly out of the camera via the HDMI port (8 bit, 4:2:2). This output signal can be ported into a display or digital recording device or routed through a monitor and then to the recording device, eliminating the need for multiple connections. This image can also be simultaneously viewed on both the camera's LCD and an external monitor, while eliminating on-screen camera status data for streaming purposes. The D800 also includes features concentrated on audio quality, such as a dedicated headphone jack for accurate monitoring of audio levels while recording. Audio output levels can be adjusted with 30 steps for precise audio adjustment and monitoring. The D800 offers high-fidelity audio recording control with audio levels that can be set and monitored on the camera's LCD screen. A microphone connected via the stereo mic jack can also be adjusted with up to 20 steps of sensitivity for accurate sound reproduction. What's more, recording can be set to be activated through the shutter button, opening a world of remote applications through the 10-pin accessory terminal.

Wield Speed and Performance with Astonishing Accuracy

Whether shooting the runway or fast moving wildlife, the enhanced 51-point AF system of the D800 delivers blazing fast AF with tack-sharp results. Nikon has enhanced the Multi-Cam 3500-FX AF sensor module and algorithms to significantly improve low light acquisition, for precise focus to an impressive -2 exposure value (EV). The focus system utilizes 15 cross-type AF sensors for enhanced accuracy, and the system also places an emphasis on the human face, working in conjunction with the Advanced Scene Recognition System to provide accurate face detection even through the optical viewfinder. The camera also utilizes nine cross-type sensors that are fully functional when using compatible NIKKOR lenses and teleconverters with an aperture value up to f/8, which is a great advantage to those who need extreme telephoto focal lengths (single cross type sensor active with TC20E III). For maximum versatility in all shooting situations, whether photographing portraits or static subjects, users are also able to select multiple AF modes, including normal, wide area, face tracking and subject tracking to best suit the scene.

The D800 delivers upon a professional's need for maximum speed when it counts. The camera is ready to shoot in 0.12 seconds, and is ready to capture with super-fast AF and response speed. To photograph action in a burst, the camera shoots up to 4 frames per second (fps) in FX mode at full resolution, or up to a speedy 6 fps in DX mode using the optional MB-D12 Battery Pack and compatible battery. Further enhancing the speed of the camera and overall workflow, the D800 utilizes the new USB 3.0 standard for ultra fast transfer speeds.

Construction and Operability

The body of the D800 is designed to offer a compact form factor and a lightweight body for the utmost versatility. The chassis is constructed of magnesium alloy for maximum durability, and is sealed and gasketed for resistance to dirt and moisture. Users are able to easily compose through the bright optical viewfinder, which offers 100% frame coverage. For storage, the D800 has dual card slots for CF and SD cards, and offers users the ability to record backup, overflow, RAW/JPEG separation, and the additional option of shooting stills to one and video to the other. For high speed recording and transfer, data can be recorded to recent UDMA-7 and SDXC / UHS-1 cards. The shutter has been tested to withstand approximately 200,000 cycles, and the camera also employs sensor cleaning. The D800 also features a built-in flash and is compatible with Nikon's acclaimed Creative Lighting System, including a built-in Commander mode for controlling wireless Speedlights.

D800E - Maximum Resolution Unleashed

In addition to the D800, Nikon will also be releasing a supplementary model for those professionals who demand even higher resolution and D-SLR versatility; the D800E. This model treads in medium format territory for studio work or landscape photography when there is no exception to only the highest fidelity and sharpness. This unique alternative model will effectively enhance the resolution characteristics of the 36.3-megapixel CMOS sensor by cancelling the anti-aliasing properties of the OLPF inside the camera. By doing this, light is delivered directly to the photodiodes, yielding an image resulting from the raw light gathering properties of the camera. A color moiré correction tool will also be available within Capture NX2 to enhance the D800E photographer's workflow.

Price and Availability

The Nikon D800 will be available in late March for the suggested retail price of $2999.95.1 The D800E version will be available in mid April 2012 for a suggested retail price of $3,299.95. For more information about these models, NIKKOR lenses and other D-SLR cameras please visit HYPERLINK "http://WWW.NIKONUSA.COM"www.nikonusa.com.

gonzalu
2012-02-07, 02:38 AM
If you care to see the extra detail, take a look at full resolution samples. Site is busy so you must be patient!

http://imaging.nikon.com/lineup/dslr/d800/sample01.htm

Cary
2012-02-07, 03:07 AM
If you care to see the extra detail, take a look at full resolution samples. Site is busy so you must be patient!

http://imaging.nikon.com/lineup/dslr/d800/sample01.htm

Wow, those look great. Would be nice if they put up some higher ISO samples, too. If Canon doesn't have a good answer in the form of a new 5D, I may get on the railing of the ship.

Matt Molnar
2012-02-07, 03:43 AM
Wow, those look great. Would be nice if they put up some higher ISO samples, too.
It sounds like they haven't yet figured out how to make all those pixels work in low light...ISO only goes up to 6400.

Zee71
2012-02-07, 08:04 AM
I saw the Nikon news on their website very very early this morning. Very impressive to say the least.

eric8669
2012-02-07, 11:22 AM
I see that the D800 is not really designed for sports or action photographers. Shoots 4/fps, I guess that's the most your going to get with such a high resolution. For you Nikon guys, is this a major factor when considering this camera?

gonzalu
2012-02-07, 11:42 AM
All, the D800 suffers greatly above ISO 200. Some Nikon official images show noise in shadow areas creeping in at around ISO 400 or above. Indeed it is perhaps too early to tell but it is possible that at such high resolution, the noise is hidden when reducing for web. In print, this is likely negligible as well. For pixel peeping, noise is there very early and certainly expect ISO 6400 to be very LUMA noisy while maintaining good CHROMA noise control as has been the case with Nikon in recent cameras.

I am certainly torn. I may have to get one as I have no high res camera at the monet and even worse, no APS-C so this could bridge me until a new D300s successor appears if ever.

The other problem for me is the fps performance which at 4fps, 6 with grip, is a bit low for my needs at airshows and of course, SXM :tongue: where the action happens quickly and one missed frame could mean a clipped wingtip (right Cary?). The buffer is not deep either but definitely better than I expected at around 17 RAW images at 14bit on the worst case. The D4 is certainly on my radar but probably next year since my D3 fits right now as far as speed, features and low light performance!

gonzalu
2012-02-07, 11:48 AM
I see that the D800 is not really designed for sports or action photographers. Shoots 4/fps, I guess that's the most your going to get with such a high resolution. For you Nikon guys, is this a major factor when considering this camera?

Eric, if you think about it, this camera is well placed for average users and covers about 90% of the population. It will serve them readily and extremely well. The folks who want this camera to be super high speed, a killer high ISO sensitivity while producing clean images with a deep buffer are few. Most photographers and enthusiasts buying this camera will be very very happy with the results. I am afraid the biggest problem will be the 99% of computers that will have to be upgraded to deal with the new monstrous file sizes... Uncompressed TIFF (which is what is ultimately edited in Photoshop from RAW) is around 200MB. Even an full resolution 8bit JPG opened in Photoshop expands to around 100MB!

eric8669
2012-02-07, 11:58 AM
Eric, if you think about it, this camera is well placed for average users and covers about 90% of the population. It will serve them readily and extremely well. The folks who want this camera to be super high speed, a killer high ISO sensitivity while producing clean images with a deep buffer are few. Most photographers and enthusiasts buying this camera will be very very happy with the results. I am afraid the biggest problem will be the 99% of computers that will have to be upgraded to deal with the new monstrous file sizes... Uncompressed TIFF (which is what is ultimately edited in Photoshop from RAW) is around 200MB. Even an full resolution 8bit JPG opened in Photoshop expands to around 100MB!

yeah, very true.

megatop412
2012-02-07, 12:24 PM
I guess I have to be the one.

36MP? Really? Who really needs that level of resolution? Yes you will be able to make crazy enlargements and landscape shots will be stunningly detailed, but remember....most pictures taken by most people end up on the web.

I am having this reaction after reading Manny's comment about TIFF size, and also because after I got back from my first JFK outing a couple weeks ago with my new D90, I took note of how long it took my CoreDuo P6600 and 3 GB of ram running DxOv6 to convert 374 RAW's....3 hours and 35 minutes. Even if I did that while I was sleeping, I'm still left with an enormous end product. If I keep that up I'll be needing to make some serious storage upgrades. I have realigned my priorities....and now I see I need to be a more critical editor and not keep as many shots.

As far as full frame goes, I may be interested in a lightly used D700 at some point. But I will certainly pass on this beast of a camera.

And Nikon- now that you're finished motorizing most of the primes, where the hell is my 80-400mmVR AF-S, dammit

Zee71
2012-02-07, 01:13 PM
William...........I am with you.........where the hell is the replacement lens for 80-400mm (that 500mm lens keeps calling my name!!!).

Derf
2012-02-07, 01:20 PM
LOLOL

I remember my first 1mb Hard drive (NOT GIG but MEG)...."Nobody would ever use anything that big"

I remember my first 1.44 floppy..... "Nobody will ever need a hard drive now!!!"

I remember my first digital SLR 6.5MP..."Nobody would ever need all those pixels...I am going to downsize for whatever I am doing anyway"

Cary
2012-02-07, 01:31 PM
The other problem for me is the fps performance which at 4fps, 6 with grip, is a bit low for my needs at airshows and of course, SXM :tongue: where the action happens quickly and one missed frame could mean a clipped wingtip (right Cary?). The buffer is not deep either but definitely better than I expected at around 17 RAW images at 14bit on the worst case. The D4 is certainly on my radar but probably next year since my D3 fits right now as far as speed, features and low light performance!

Yeah, that is one big issue. Even at 6fps, it's still a little slow for places like Maho. I needed every bit of the 10fps on the 1Dm3 to get 2-3 clean shots of the Copa low approach, that didn't have heads blocking either the gear or engine.



I guess I have to be the one.

36MP? Really? Who really needs that level of resolution? Yes you will be able to make crazy enlargements and landscape shots will be stunningly detailed, but remember....most pictures taken by most people end up on the web.


I get asked for large image sizes for publication (the last one was 15.5" @ 300dpi), and if the shot isn't perfectly full frame, you're already losing a bunch of pixels. So, with my current 7D (5184 x 3456px), I'm already against that requirement if I can't get a tight crop (like at HoBe). Remember, this is a $3,000 camera, so it's a little out of the price range for people who mainly just post on the web.

gonzalu
2012-02-07, 03:49 PM
As far as full frame goes, I may be interested in a lightly used D700 at some point. But I will certainly pass on this beast of a camera.

And Nikon- now that you're finished motorizing most of the primes, where the hell is my 80-400mmVR AF-S, dammit


William, fear not. The D7000 and the D3100 are still being sold as are other lower resolution cameras. But not for too long I am afraid. Luckily the D800 will also produce much smaller files and crop ratios to deal with the size, not much less but enough to make it a flexible camera. Not made for everyone for sure. You really need to look at NEED first and then get the right camera for your needs. I would be happy with an 18-20MP crop sensor for now but knowing that the Sony fab makes a nice 24MP crop sensor part, I am almost certain that Nikon will leverage it for their next crop sensor camera to replace the now VERY OLD D300s. Ideally for me for this hobby and for my Military aviation shooting, I 'd like at least 10fps and perhaps 16MP to 20MP if they can maintain the speed. I only need ISO 400 max to be clean... and for props, I can use ISO 50 :tongue: so high ISO performance is not really needed for me. Oh and also deep buffers. THis si why the D4 is my cup of tea at the moment given the lack of a APS-C 16MP camera in Nikon's lineup with the sort of performance that the D4 offers...

The 80-400 SHOULD just be replaced with a re-branded Sony 70-400mm as Sony is already a great partner and there would be little to invest in design, tooling, etc. The floods and Tsunami and Earthquake did NOTHING to help the situation either.


I remember my first 1mb Hard drive (NOT GIG but MEG)...."Nobody would ever use anything that big"


Oh Fred, you bring back memories. I think my sister kept mine up at her house in Albany, but sadly it may be gone. It was an old Micropolis FULL HEIGHT and FULL SIZE 5 1/4 inch behemoth, a whopping 80MB and it was the fastest thing on the market for its size. Before that drive I had only used Tape Drives :-) It set me back $1,000 and I think of a USB stick now, 8GB for only $5.95US!!!! I shed a tear each time lol.

NIKV69
2012-02-07, 04:38 PM
For you Nikon guys, is this a major factor when considering this camera?

You can't shoot air shows or simliar with that. Heck my dinosaur D200 with a battery pack performs better. Looks like I will stick to my plan of getting a D300 and then a D700. More better.

gonzalu
2012-02-07, 07:10 PM
Nick, D700 at airshows will blow unless you use it simply for Static Wides or interior cabin shots. For the action, even a crop sensor with 500mm on target can leave you a little short, especially with the new [unwritten] rules to stay away from the crowd :-( Some venues like Andrews can actually be worse during construction as they will use a farther runway! UGH! ...and get the D300s rather than the D300 if you can... it has a bit of video (crappy but there) and a slightly improved UI/Firmware...